#insights POMPEI Sin City docufil – Prostitutes naes and rates – FESCH.TV

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#pompei #eros #prostitutes
Simona Cochi releasing new details on POMPEI’s life depicted in the docufilm POMPEI. EROS E MITO (Pompeii Sin City) directed by Pappi Corsicato.
Prostitutes names and rates were published on a document (you can find it here ). The research has been conducted by Michigan University by a pool of scholars.
Produced by Sky, Ballandi and Nexo Digital, in collaboration and with the scientific contribution of the Archaeological Park of Pompeii and with the participation of MANN, National Archaeological Museum of Naples, POMPEI. EROS E MITO is a journey that guides us back in time for two thousand years. The myths and characters that have contributed to making this unique archaeological site immortal, which UNESCO has included in the list of World Heritage Sites, are exposed. From the love story between Bacchus and Ariadne in the famous Villa of the Mysteries to the ambiguous relationship between Leda and the Swan, from the gladiatorial fights to the desperate search for the immortality of Poppea Sabina (second wife of Emperor Nero), the docu-film will on stage and will also analyze the lesser-known and more secret sides of the city. The same ones who in the eighteenth century led the Catholic Church to hide some of the most scandalous and gory artefacts recovered during the excavations. Leading us through the streets of Pompeii will be an exceptional narrator: the award-winning Isabella Rossellini. Her presence and her voice will accompany the spectators on an elegant and tight journey that will show how the rediscovered myths and works have bewitched and influenced artists such as Pablo Picasso and Wolfgang Amadeus Mozart.
The original soundtrack of “Pompei. Eros e mito “ is signed by the composer and pianist Remo Anzovino. Among the interventions of the film, those of Massimo Osanna, Director General of the Archaeological Park of Pompeii from 2014 to 2020; Andrew Wallace-Hadrill, Emeritus Professor of Classical Studies, University of Cambridge; Catharine Edwards, Professor of Classical Studies and Ancient History – Birkbeck, University of London; Darius Arya, Director of the American Institute for Roman Culture; Ellen O’Gorman, Associate Professor of Classical Studies, University of Bristol.

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„The Italian Way“ Youtube Channel (My Camera …..my Paintbrush) is an iconic video magazine created by Simona Cochi, an Italian journalist and pr based in Milan.
Simona unveils the exclusive features of the most relevant events about Art, Lifestyle, Design, Fashion, and more. Art interviews are one of the keys to being seduced by the „The Italian Way“ project.
The creative gesture of „direct capture“ (the camera like a brush) blends different and transversal elements and draws on the visual heritage, the digital, the sound in a field with still unexplored possibilities but which has the characteristics of a 21st-century Surrealism.
This editorial project has been conceived on Simona return after a year and a half of work and research in different European capital cities and iconic outposts.
Simona Cochi can claim international working experiences and an academic track record.
2017 – Simona Cochi starts her digital video magazine to adapt communication and journalism techniques to the new challenge of the 2.0 era.
In 2018, during her experience as a video blogger in Vienna’s museums, her definitive inspiration for surrealism was ignited through the work on the Man Ray’s show at the Kunstforum. Further creativity and motivation have been enhanced thanks to the researches on Sigmund Freud, the other eminent Austrian’s figure with significant traces of his life and works in Vienna.
The video journey started as „The Austrian Way“ inside the magnificent art shows in the capital city: Monet, Picasso, Gustav Klimt, Keith Hearing, Florentina Pakosta, and more.
The digital producer’s aim is to „paint“ the path of the art exhibitions with her camera, revealing an unprecedented vision, delivering new interpretative nuances of daily reality.
The images and comments of the Italian journalist are expressed to describe the emotions of art but also to portray the magnificent outposts of culture. Simona Cochi’s footages are often accompanied by iconic interviews from the event’s protagonist.
The beauty of a work resides in its visionary strength, in its celebratory capacity, in the alienating effect it arouses and this is what the spontaneity of the author often manages to convey.
The creative gesture of „direct capture“ (the camera like a brush) blends different and transversal elements and draws on the visual heritage, the digital, the sound in a field with still unexplored possibilities but which has the characteristics of a 21st-century Surrealism.